
Housing a permanent collection, Reflecting Canberra, and a variety of local, national and international exhibitions, CMAG provides a refreshing insight to the integration of social history and the visual arts.

Canberra beaches No.3: the High Court,
1984
screenprint
56 x 86 cm
Purchased 1996
born 1953
Toni Robertson studied fine arts at the University of Sydney in the 1970s and was a founding member of the infl uential Earthworks Poster Collective (1971-80) at the University’s Tin Sheds. Earthworks were pioneers of the political poster movement in the 1970s, producing inexpensive screenprints for liberal political and social causes and underground cultural events and organisations. They referenced poster art from revolutionary Russia and 1930s Europe in their use of bold colour and graphics incorporating photography and collaged imagery.
From 1982-85 Robertson lived in Canberra and lectured in
printmaking and photomedia at the ANU School of Art. In
1984 she made work for Sites of power: an exhibition of
posters and prints, which focused on the theme of government
and political dissent. It was shown in Sydney, Adelaide and
Canberra. The posters were characteristic of Robertson’s
work in their often surprising pastiche of the familiar and the
everyday with subversive elements, and among the most witty
juxtapositions was the series of Canberra beaches, where the
artist embedded classic Australian vignettes of surfers, lifesavers
and families at the beach amongst the iconic monuments of
the national capital.
Robertson’s work has appeared in many group exhibitions in
the 1970s and 1980s and subsequently, and along with Chips
Mackinolty and others she is recognised as a leading fi gure in
Australian political printmaking. Her work is held in many public
collections, including the National Gallery of Australia, the Art
Gallery of New South Wales, the National Gallery of Victoria,
the Australian War Memorial, Artbank and the Museum of
Contemporary Art, Sydney as well as tertiary, state library and
union collections.
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