
Housing a permanent collection, Reflecting Canberra, and a variety of local, national and international exhibitions, CMAG provides a refreshing insight to the integration of social history and the visual arts.

By the pattern of a snowflake, 1993
metal, wood, found objects
dimensions variable
Purchased 2001
1954 - 2002
Neil Roberts was a signifi cant contributor to Canberra’s visual arts culture through numerous activities including his own practice, public art projects, as a teacher, as a forceful advocate for artists and for the establishment of Galerie Constaninople in Queanbeyan, a place that showcased a range of cutting edge practice from the region and elsewhere.
Roberts as trained in glass at the Jam Factory in Adelaide
(1978–80), the Orrefors Glass School in Sweden (1981)
and at the New York Experimental Glass Workshop (1982).
He taught at the Canberra School of Art and Sydney College of the
Arts, and has held residencies at several overseas universities.
In the late 1980s Roberts moved away from the medium
of glass to experiment with sculpture and found object
assemblages. He took items that many would regard as junk,
and by his idiosyncratic arrangements or combinations of these,
imbued them with new associations that spoke poetically of
time, memory and history. Roberts’ work is concerned with a
search for connections and meanings across disparate objects
and various territories.
In By the pattern of a snowfl ake, weathered garden rakes
radiate from a central point in a uniquely contrived cyclical
pattern. The pattern is a metaphor for the cycles of nature and
a covert allusion to winter’s onset and the raking of the fallen
leaves that precedes it. It also speaks of such universal concerns
as man’s infl uence on the environment, and the infi nite beauty
of the random patterns found in nature.
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