
Housing a permanent collection, Reflecting Canberra, and a variety of local, national and international exhibitions, CMAG provides a refreshing insight to the integration of social history and the visual arts.

Tripod vase with gold, silver leaf, enamel 2005
oxidised stoneware
20 x 14 cm (diam)
Quad vase with gold, silver leaf, enamel 2004
oxidised stoneware
35 x 27 cm (diam)
Quad vase with gold,
silver leaf 2002
oxidised stoneware
26 x 20 cm (diam)
All works gift of the artist 2006
born 1954
Greg Daly was born in Melbourne and studied at the (then) Royal Melbourne Institute of Technology gaining a Diploma of Art followed by a Fellowship Diploma. Since 1992 he has
lectured in the Ceramics Workshop at the ANU School of Art.
He is an internationally renowned artist and regularly presents
workshops and lectures in Australia and overseas. He is a
member of the International Academy of Ceramics (Geneva)
and from 1992 to 1995 was President of the Craft Council of
Australia. Daly’s exhibition history is extensive, having held over
75 solo exhibitions throughout Australia and overseas and
participating in over 150 group exhibitions. He has won
numerous awards and commissions and his work is represented
in collections in Australia, Europe, United Kingdom, New
Zealand, Canada and Asia.
The 3 works illustrated here show the artist at his creative peak. Each is given a quiet but commanding presence. The forms are simple and beautiful, the results of the artist’s dedicated engagement with the complexities of the object. The vessel format has supplied artists with immense possibilities for expression throughout the long and celebrated history of world ceramics. It continues to do so for Daly. His shapes are simple, direct and imbued with clarity and plastic integrity. They are also vehemently works by Greg Daly.
Daly’s decoration is always an essential and integral partner
with the form. Neither dominates but coalesces into the
complex interplay between form and decoration in which each
element informs the other in the resolution of the whole. The
singularity of Daly’s perception is beautifully exemplified in
these works.
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