
Housing a permanent collection, Reflecting Canberra, and a variety of local, national and international exhibitions, CMAG provides a refreshing insight to the integration of social history and the visual arts.

Solstice note #2 –Guerilla Bay ‘76, 2002
digitised colour photograph
110 x 106.5cm
Purchased 2004
born 1937.
Arthur Wicks was born in Sydney and studied at the University
of Sydney and at the Australian National University, taking
degrees in both science and arts. Since his fi rst solo exhibition
at Nundah Galleries, Canberra in 1966, Wicks’s prints,
sculptures, videos and performances have been seen extensively
in Australia and around the world, including at the National
Gallery of Australia and the Georges Pompidou Centre in
Paris. He is a polymath in respect of his art and the reach of
his imagination.
Wicks’s solstice works are comprised of many small
photographs taken from the same vantage point and arranged
into a spherical perspective. They represent the genesis of a
project that has now extended beyond two decades: the
Solstice Voyeur series, where the artist depicts the solstice – the
longest or shortest day of the year – as a culturally potent event
by clustering a series of photographs taken on that day in such a
way that they appear as planets unto themselves.
Advances in technology in recent decades have enabled Wicks to digitally manipulate the placement of these images, photographed over many years, into a cohesive series of works which have been produced both as printed images and also projected. Wicks has created many ‘global images’, often from the rooftops of buildings, in cities around the world, including Sydney, Hamburg, Berlin, and Auckland; these works act as a foil for similar kinds of images of natural and rural environments on the South Coast of New South Wales and the Hay Plain.
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